Tracie Chima Utoh, wacce aka fi sani da Tracie Utoh-Ezeajugh, marubuciya ce ta Najeriya kuma Farfesa a fannin tsara fina-finai da wasan kwaikwayo a Jami'ar Nnamdi Azikiwe.[1][2] A cikin shekarar 2015 ta kasance Shugabar ACLS/ASA, wani tsari wanda ke gayyatar "fitattun malamai na Afirka" don halartar taron shekara-shekara na Ƙungiyar Nazarin Afirka kuma su shafe mako guda a wata cibiyar Amurka kafin taron.[3]

Tracie Chima Utoh
Rayuwa
ƙasa Najeriya
Karatu
Makaranta Nnamdi Azikiwe University
Sana'a
Sana'a marubuci da Malami

Kwarewar iliminta ita ce nazarin yin amfani da kayan ado, kayan shafe-shafe da kayan aikin jiki, "dukansu a matsayin fasaha da kuma kayan aiki don nunawa akan mataki da kuma a cikin fina-finai".[3]

NE Izuu, a rubuce a cikin Creative Artist: A Journal of Theater and Media Studies ya ce Utoh "ta nuna babban ci gaba game da sake maimaita tashin hankalin ɗan adam ya fuskanta (maimakon kare hakkin mata) wanda ke da nufin sake ba da fifikon wallafe-wallafen ga ƙarin abubuwan ban mamaki a cikin al'umma na zamani ban da sake rubutu akan takaddamar jinsi".[4]

Zaɓaɓɓun wallafe-wallafe

gyara sashe
  • Who owns this coffin? : and other plays (1999, Jos, Nigeria : Sweetop Publications)[5]
  • Our wives have gone mad again! and other plays (2001, Awka, Anambra State [Nigeria] : Valid Pub. Co. (Nig.) Ltd; 08033994793.ABA)
  • Nneora: an African doll's house (2005, Awka: Valid Publishing Co; 08033994793.ABA)

Sauran rubuce-rubucen

gyara sashe
  • The humanities and globalisation in the 3rd millennium edited by A B C Chiegboka, Tracie Chima Utoh, and G I Ukechukwu (2010, Nimo, Nigeria : Rex Charles & Patrick; 08033994793.ABA)

Manazarta

gyara sashe
  1. Alex Asigbo (2002). "Enter the new-breed feminist: Feminism in post-colonial Nigeria: the example of Tracie Chima Utoh". In Döring, Tobias (ed.). African Cultures, Visual Arts, and the Museum: Sights/sites of Creativity and Conflict. pp. 265–272. ISBN 9042013206.
  2. "Utoh-Ezeajugh Tracie". Nnamdi Azikiwe University Awka. Retrieved 26 September 2016.
  3. 3.0 3.1 "2015 ACLS/ASA Presidential Fellows". Awards & Prizes. African Studies Association. Archived from the original on 31 January 2018. Retrieved 26 September 2016.
  4. Izuu, N.E. (2009). "Tenor of Humanism Re-reading Feminity in the Drama of Tracie Utoh-Ezeajugh". Creative Artist: A Journal of Theatre and Media Studies. 2 (1). Retrieved 26 September 2016.
  5. Catalogue record for "Who owns this coffin?". Worldcat. OCLC 46487834. Retrieved 26 September 2016.