Aisha Musa Ahmad (mawakiya)
Aisha Musa Ahmad (Larabci: عائشة موسى أحمد, romanized: ʾAyša Mūsā Aḥmad, b. 1905 – 24 ga Fabrairun shekarar 1974), wadda aka fi sani da Aisha al-Falatiya (wanda aka fassara da Aisha El Falatia (Larabci: عفلاتيشة) . Aikinta na farko ya samu cikas saboda kyamar masu yin wasan kwaikwayo, amma a shekarar 1942 ta zama mace ta farko da ta fara rera waƙa a gidan rediyon Sudan, Aisha ta ci gaba da yin waƙa a shekarun 1960, kuma ta yi wakoki sama da 150 gaba ɗaya, inda ta samu karɓuwa a ƙasashen Sudan da Masar.[1]
 Aisha Musa Ahmad (mawakiya) | |
|---|---|
 | |
| Rayuwa | |
| Haihuwa |
Kassala (en)  , 1905 |
| ƙasa | Sudan |
| Mutuwa | Omdurman, 24 ga Faburairu, 1974 |
| Sana'a | |
| Sana'a | mawaƙi |
| Kayan kida | murya |
Rayuwar farko
gyara sasheAn haifi Aisha a garin Kassala na yau, kusa da kan iyaka da ƙasar Eritriya a yau. Iyayenta biyu dai sun kasance bakin haure ne zuwa ƙasar Sudan daga birnin Sokoto na Najeriya, waɗanda tun farko suka bi ta yankin a matsayin alhazai sannan daga bisani suka yanke shawarar zama a can. Mahaifiyarta, Hujra, ‘yar ƙasar Hausa ce, yayin da mahaifinta, Musa Ahmad Yahiyya, faqihu ne (masanin addini) dan asalin Fulani. A’isha ƴa-ƴanta bakwai ta yi karatu a khalwa (makarantar addini) ta mahaifinta da ke Omdurman, inda tayi haddar Alqur’ani mai girma. Daga baya fasaharta ta wƙka an danganta ta da darasin karatun ta.[2]
Sana'ar waƙa da kuma rayuwa daga baya
gyara sashe Aisha ta fara rera waƙa tana da shekaru goma sha huɗu, ba da daɗewa ba ta samu daraja da shahara a matsayin mawaƙiyar aure. Mahaifinta bai yarda da ayyukanta ba, domin a lokacin ana wulaƙanta mawaƙa mata sosai a cikin al'ummar Sudan. Ya yi ƙoƙarin ya hanata sana’ar waƙa ta hanyar yi mata aure, amma daga baya ta rabu da mijinta kuma ta ci gaba da aikin waƙa. Aikin Aisha ya ci gaba ne a ƙarshen shekarun 1930, lokacin da waƙiliyar wani kamfani mai rikodin tarihi na ƙasar Masar ya gano ta. Ta yi wa kamfanin waƙoƙi da yawa a Alkahira, kuma waƙarta daga baya ta zama sananne a gidajen kofin watsa labarai na Sudan.[2] An yi faifan nata da sunan “A’isha al-Falatiya”, wanda ke nuni da zuriyarta ta Fulani.
A lokacin yaƙin duniya na biyu, Aisha ta yi aiki a matsayin mai ba da nishaɗi ga sojoji, inda ta yi wa sojojin Sudan waƙa a yaƙin Gabashin Afirka da Arewacin Afirka. A shekarar 1942, ta zama mace ta farko da ta yi waƙa a gidan rediyon Sudan, inda ta rera zaɓaɓɓun waƙoƙin ta na gidan rediyon Omdurman (wanda Birtaniya ta kafa a shekarar da ta gabata).[2][3] Ta yi wasa tare da ƴar uwarta, Jidawwiya, wadda ta yi wasan oud kuma tana da nata makada. Wasan da ’yan uwa mata suka yi ya samu karɓuwa daga wajen masu sauraron gidan rediyon, amma masu sharhi na masu ra’ayin rikau sun yi Allah wadai da shi, kuma daga bisani wasu mawaka maza suka kauracewa gidan rediyon don nuna adawarsu.[2] A wani lokaci, ƙiyayyar da ta fuskanta (sabili da jinsinta da ƙabilarta) ya sa ta yi tunanin ƙaura zuwa Najeriya.[4]
Ta cigaba da samun farin jini, Aisha a ƙarshe ya halasta kasancewar mata a gidan rediyon jama’a, kuma a shekarunta na baya har ta yi rawar gani da mawaƙa maza.[2] Gaba ɗaya, ta yi rikodin waƙoƙi sama da 150 a lokacin aikinta, galibi tayi ne a gidan rediyon Omdurman, kuma ta ci gaba da aiki har zuwa shekarun 1960. An fi saninta da waƙoƙin ta na soyayya (wanda ake kira tom-tom, kuma mawaƙa maza ne suka rubuta),[5] amma wasu daga cikin waƙoƙin ta na siyasa ne, kuma an san ta a matsayin mai fafutukar kare haƙƙin mata, haƙƙin ma’aikata. yaƙi da mulkin mallaka, da kuma ƴancin kai na Sudan. Aisha ta zauna a Omdurman har zuwa rasuwarta a shekarar 1974, amma kuma ta kasance mai yawan ziyara a Masar. Ta yi aure sau biyu a rayuwarta: Ta rabu da mijinta na farko, Ibrahim Adbarawi, bayan shekara biyu ba ta haihu ba. Daga baya, ta auri Jiddu Kabli wadda ta haifi ƴaƴanta duka.
Manazarta
gyara sashe- ↑ Abbas, Reem (2019-10-07). The Artist Aisha Fallatiya: A Pioneer of Modernity in Sudan. SIHA Journal: Women in Islam (Issue Two) (in Turanci). Strategic Initiative for Women in the Horn of Africa. pp. 6–9. ISBN 978-9970-9290-0-9.
- ↑ 2.0 2.1 2.2 2.3 2.4 Akyeampong, Emmanuel Kwaku; Gates, Henry Louis (2012). Dictionary of African Biography, Volume 6. Oxford University Press. p. 122. ISBN 978-0195382075.
- ↑ Malik, Saadia I. (2003). Exploring Aghani al-Banat: a postcolonial ethnographic approach to Sudanese women's songs, culture, and performance (Ph.D.). University of Ohio. p. 54. Archived from the original on 4 November 2016. Retrieved 4 November 2016.
- ↑ Malik, p. 55.
- ↑ Malik, p. 140.