Vedat Örfi Bengü
Vedat Örfi Bengü, wanda aka fi sani da Wedad Orfi, da Wadad Orfi, (Oktoba 14, 1900 - Mayu 25, 1953) ya kasance mai shirya fina-finai da kuma ɗan wasan kwaikwayo na Turkiyya da Masar.[1]
Vedat Örfi Bengü | |
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Rayuwa | |
Haihuwa | Istanbul, 14 Oktoba 1900 |
ƙasa | Turkiyya |
Mutuwa | Istanbul, 25 Mayu 1953 |
Ƴan uwa | |
Yara |
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Ƴan uwa |
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Karatu | |
Harsuna | Turkanci |
Sana'a | |
Sana'a | jarumi, darakta, marubin wasannin kwaykwayo da mai tsara fim |
IMDb | nm0071119 |
Ayyuka
gyara sasheRikici game da Muhammadu
gyara sashecikin 1926, Örfi ya kusanci Youssef Wahbi don taka rawar Muhammadu a cikin fim, wanda gwamnatin Turkiyya da mai gabatar da fim din Jamus za su tallafawa.[2] [2] Shugaban Turkiyya, Mustafa Kemal Atatürk, da Majalisar Ulama ta Istanbul suka ba da amincewar fim din, Jami'ar Al-Azhar ta Musulunci a Alkahira ta buga wani yanke shawara na shari'a wanda ya nuna cewa Musulunci ta haramta wakilcin Muhammadu da sahabbansa. [2] haka, Sarki Fouad ya gargadi Whabi cewa za a kore shi kuma a kwace shi daga matsayin ɗan ƙasar Masar idan ya shiga cikin fim din. haka, an watsar da fim din daga baya.
Leila / Layla - fim na farko na Masar
gyara sasheA shekara ta 1927 Örfi ya samar kuma ya fito a fim din "Neda Allah" ("The Call of Allah") wanda shine aikin hadin gwiwa tare da Aziza Amir . D[3]Daga baya aka sake yin fim din kuma aka sake shi a matsayin "Laila" ("Leila") tare da wasu hotunan Orfi na asali da aka bari a cikin fim din. Sau da yawa ana ɗaukar samarwar ta ƙarshe a matsayin fim na farko na Masar.[3]
Hotunan fina-finai
gyara sasheA Misira
gyara sashe- 1927: Laila
- 1928: Wanda aka azabtar / al-Dahiyyah
- 1929: Kyau daga hamada / Ghaddat al-sahra
- 1929: Wasan kwaikwayo na Rayuwa / Ma Sat al-Hayat
A Turkiyya
gyara sasheRayuwa ta mutum
gyara sasheA cikin shekarun 1930 Örfi ya koma Turkiyya.
Manazarta
gyara sashe- ↑ Armes, Roy (2008), "Orfi, Wedad", Dictionary of African Filmmakers, Indiana University Press, p. 105, ISBN 978-0253351166,
Egyptian silent filmmaker of Turkish origin.
- ↑ 2.0 2.1 2.2 Shohat, Ella (2009), "Sacred Word, Profane Image: Theologies of Adaptation", in Bayrakdar, Deniz (ed.), Cinema and Politics: Turkish Cinema and The New Europe, Cambridge Scholars Publishing, p. 17, ISBN 978-1443804158
- ↑ 3.0 3.1 Mejri, Ouissal (2017), "The Birth of North African Cinema", in Bisschoff, Lizelle (ed.), Africa's Lost Classics: New Histories of African Cinema, Routledge, pp. 29–30, ISBN 978-1351577397