Käthe Kollwitz
Käthe Kollwitz ( an haifeta a ranar 8 ga watan Yuli shekarar 1867 - 22 ga watan Afrilu shekarar 1945) yar ƙasar Jamus ce wanda ta yi aikin zane-zane, bugawa (ciki har da etching, lithography da yankan itace ) da sassaka . Babban zane-zanenta wanda ya shahara, sun hada da The Weavers da The Peasant War, suna nuna tasirin talauci, yunwa da yaƙi akan ma'aikata. [1] [2] Duk da gaskiyar ayyukanta na farko, fasaharta yanzu tana da alaƙa da Expressionism . [3] Kollwitz ita ce mace ta farko ba kawai da za a zaba a Prussian Academy of Arts ba amma har ma ta sami matsayi na Farfesa. [4]
Rayuwa da aiki
gyara sasheTasowarta
gyara sasheAn haifi Kollwitz a Königsberg, Prussia, a matsayin ɗiya ta biyar a cikin danginta. Mahaifinta, Karl Schmidt, mai ra'ayin Social Demokrat ne wadda ta zama mason ginin gida. Mahaifiyarta, Katherina Schmidt, 'yar Julius Rupp ce, wani fasto na Lutheran wanda aka kore shi daga Ikilisiyar Jihar Ikklesiya ta hukuma kuma ta kafa ikilisiya mai zaman kanta. Iliminta da fasaharta sun yi tasiri matuka a darussan kakanta na addini da zamantakewa. Babban yayanta Conrad, ya zama fitaccen masanin tattalin arziki na SPD.
Don gane gwaninta, mahaifin Kollwitz ya shirya mata ta fara darussa na zane da kwafi simintin gyare-gyare a ranar 14 ga watan Agusta shekara ta 1879 lokacin tana da shekaru goma sha biyu. [5] A shekarar 1885-6 ta fara karatun ta na yau da kullun na fasaha a ƙarƙashin jagorancin Karl Stauffer-Bern, abokin mai zane Max Klinger, a Makaranta na Mata masu fasaha a Berlin. A shekaru sha shida ta fara aiki tare da batutuwa masu alaƙa da motsi na Realism, suna yin zane-zane na ma'aikata, ma'aikatan jirgin ruwa da manoma da ta gani a ofisoshin mahaifinta. Etchings na Klinger, dabarun su da abubuwan da suka shafi zamantakewa, sun kasance abin ƙarfafawa ga Kollwitz. [6]
Manazarta
gyara sashe- ↑ Bittner, Herbert, Kaethe Kollwitz; Drawings, p. 1. Thomas Yoseloff, 1959.
- ↑ Fritsch, Martin (ed.), Homage to Käthe Kollwitz. Leipzig: E. A. Seeman, 2005.
- ↑ "The aim of realism to capture the particular and accidental with minute exactness was abandoned for a more abstract and universal conception and a more summary execution". Zigrosser, Carl: Prints and Drawings of Käthe Kollwitz, page XIII. Dover, 1969.
- ↑ Empty citation (help)
- ↑ Bittner, p. 2.
- ↑ Kurth, Willy: Käthe Kollwitz, Geleitwort zum Katalog der Ausstellung in der Deutschen Akademie der Künste, 1951.