Zézé Gamboa
José Augusto Octávio Gamboa dos Passos, wanda aka fi sani da Zézé Gamboa (an haife shi a shekara ta 1955) darektan fina-finan Angola ne.
 Zézé Gamboa | |
|---|---|
| Rayuwa | |
| Haihuwa | Luanda, 31 Oktoba 1955 (68 shekaru) |
| Sana'a | |
| Sana'a | darakta |
| IMDb | nm0303864 |
Rayuwa gyara sashe
An haifi Zézé Gamboa a Luanda a shekara ta 1955. [1] Ya fara aiki a matsayin mai gabatar da labarai a gidan talabijin na Angola a watan Mayun 1974. A 1980 ya koma Turai, ya yi shekaru tara a birnin Paris da kuma wasu shekaru bakwai a Belgium kafin daga bisani ya zauna a Lisbon . [2]
Gamboa ya fara yin fim ne ta hanyar yin fina-finai. Ya kuma yi aiki a Ƙasar Waje (1995), wanda Walter Salles ya jagoranta, da Napomuceno's Will, da daidaitawar fim ɗin Francisco Manso na 1997 na littafin Germano Almeida The Last Will and Testament na Senhor da Silva Araújo . [1]
Jarumi (2004) ya ba da labarin wani mutum da ke ƙoƙarin dawo da gaɓoɓinsa da aka sace a Angola yana ƙoƙarin sake gina kanta bayan yaƙin basasa. Ya sami lambar yabo ta Jury don Cinema ta Duniya a bikin Fim na Sundance na 2005, a cikin kyaututtukan bikin fim na 25. [3]
Critic Olivier Barlet ya siffanta Gamboa's The Great Kilapy (2012), "wani mai ban sha'awa game da ƙwararren ɗan zamba" a cikin 1970s Angola, yayin da yake amfani da farce don "bayyana iyakar abin da sabani na mulkin mallaka ya riga ya haifar da tsaba na decolonization ".
Fina-finai gyara sashe
- Mopiopio, Sopro de Angola, 1991. Takardun shaida.
- Desassossego de Pessoa . Takardun shaida.
- Dessidência . Takardun shaida.
- <i id="mwNA">Ya Herói</i> / <i id="mwNQ">Jarumi</i>, 2004. Fim ɗin fasali.
- <i id="mwOA">Ya Grande Kilapy</i> / <i id="mwOQ">Babban Kilapy</i>, 2012. Fim ɗin fasali.
Manazarta gyara sashe
- ↑ 1.0 1.1 Ivonete Pinto, Entrevista: Zézé Gamboa, Orson, No. 4, 2013.
- ↑ Marta Lanka, An approach to film making in Angola that is consistent, mature and upright: interview with Zézé Gamboa, buala.org, 10 January 2011.
- ↑ Mark Sabine, Rebuilding the Angolan Body Politic: Global and local projections of identity and protest in O Herói/The Hero (Zézé Gamboa, 2004) Archived 2020-11-10 at the Wayback Machine, Journal of African Cinemas, Vol. 3, No. 2, pp.201-219. ISSN 1754-9221.
Hanyoyin haɗi na waje gyara sashe
- Zézé Gamboa on IMDb