Stolen Childhood (film)

Stolen Childhood (film)
Asali
Lokacin bugawa	1994
Asalin harshe	Larabci
Ƙasar asali	Moroko
Characteristics
During	90 Dakika
Launi	color (en)
Direction and screenplay
Darekta	Hakim Nura
Marubin wasannin kwaykwayo	Hakim Nura
'yan wasa
	Touria Alaoui ; Mustapha Zaari (en)
External links
	Specialized websites IMDb: tt27369751; ;

L'Enfance volée ( Sato Yaro ) fim ne da aka shirya shi a shekarar 1994 na Morocco na Hakim Noury. ^[1] Yana ɗaya daga cikin fitattun fina-finan Noury da suka yi tasiri. ^[2] An shirya fim ɗin a Casablanca kuma yana ba da labarin cin zarafi da aka yi wa wata yarinya mai hidima. ^[3]

Manazarta

↑ Cinéma d'en francophonie - Marc Bossaerts, Catherine Van Geel - 1995 -Page 33 " « L'Enfance volée » Hakim Nouiy Sur un sujet grave, important, actuel : le travail, même l'exploitation des enfants dans les grandes villes marocaines, Hakim Noury a fait un film intelligent et sensible, et à résonance universelle."
↑ Sandra Gayle Carter What Moroccan Cinema?: A Historical and Critical Study, 2009 p.257 "One of his most popular and influential films was Stolen Childhood, which took its subject from the press and social reality and in turn influenced social reality and in turn influenced social reality through raising consciousness, and discussion that was in turn disseminated in the "
↑ Catherine Fowler, Gillian Helfield Representing the Rural: Space, Place, and Identity in Films . 2006. "It is in Casablanca that a young servant girl from the country is abused and betrayed in Hakim Noury's Moroccan feature L'enfance vole/Stolen Childhood (1994)."

[1] Cinéma d'en francophonie - Marc Bossaerts, Catherine Van Geel - 1995 -Page 33 " « L'Enfance volée » Hakim Nouiy Sur un sujet grave, important, actuel : le travail, même l'exploitation des enfants dans les grandes villes marocaines, Hakim Noury a fait un film intelligent et sensible, et à résonance universelle."

[2] Sandra Gayle Carter What Moroccan Cinema?: A Historical and Critical Study, 2009 p.257 "One of his most popular and influential films was Stolen Childhood, which took its subject from the press and social reality and in turn influenced social reality and in turn influenced social reality through raising consciousness, and discussion that was in turn disseminated in the "

[3] Catherine Fowler, Gillian Helfield Representing the Rural: Space, Place, and Identity in Films . 2006. "It is in Casablanca that a young servant girl from the country is abused and betrayed in Hakim Noury's Moroccan feature L'enfance vole/Stolen Childhood (1994)."

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