Fayil:Gai Ghat, Varanasi.JPG
Gai_Ghat,_Varanasi.JPG (pikisal 640 × 480, girman fayil: 85 KB, irin MIME: image/jpeg)
Wannan hoto yazo daga Wikimedia Commons kuma za'a iya amfani dashi a wasu projects. Anan kasa an nuna asalin bayanin shi
Taƙaici
BayaniGai Ghat, Varanasi.JPG |
English: See
Protecting the Varanasi HeritageHindu culture, have attributed supreme importance to the preservation of tradition Classical civilizations, and especially the Indian one, have attributed supreme importance to the preservation of tradition. Its central idea was that social institutions, scientific knowledge and technological applications need to use "heritage" as a "resource". Using contemporary language, we would say that ancient Indians considered, as social resources, both economic assets (like natural resources and their exploitation structure) and factors promoting social integration (like institutions for preserving knowledge and maintaining civil order). Ethics considered that what had been inherited should not be consumed, but should be handed over, possibly enriched, to successive generations. This was a moral imperative for all, except in the final life stage of sannyasa The KS members strongly feel, like many other citizens of the world, that India has a responsibility towards the world and towards herself to develop in harmony with her spiritual and cultural identity. Varanasi is a universal heritage city and not just for urban Indian or foreign tourists.[1] Its architectural heritage is the frame of a natural Sun Temple, that rises on the banks of Ganges in the form of an amphitheater, where the Ghats form the platforms, the water the altar and the sun is the epiphany of God. In Varanasi, the river Ganges, that normally flows eastward, takes a sudden turn towards the North; where the sun rises perpendicularly to the river creating, at dawn, a burning line of refracting light that cuts across the river and allows the bathing devotee to pour the Ganges waters directly into the "yoni" of light. To betray Varanasi and allow its environmental and social decadence or unsustained commercial exploitation of its unique heritage would be a betrayal to Indian tradition and to the patrimony of future generations. [2] [3] In 2002, the KS prepared a draft dossier, commissioned by the Varanasi Development Authority, for proposing the enlistment of the Varanasi riverfront Ghats in the list World Heritage sites of Unesco.,[4] , [5], [6] The Indian Government could not forward this proposal to UNESCO because legislations, policies and plans would first need to put in place to protect the site and must be implemented locally. It is not enough that the Varanasi Development Authority declared it a "heritage zone" [7] ; nor that the UP Government had issued an order (no. 320/9-A-3-2000-127 of February 5, 2000, and 840/9-A-3-2001 of April 11, 2001) prohibiting new constructions within 200 meters from the Ganges river front: because these were not implemented! And there was a widespread pessimism about whether they would ever be really implemented in the near future. As Mr. R Parshuraman, UNESCO Director in New Delhi said in one of his visits to Varanasi in 2009, "people and local bodies need to show determination in seeing the name of their historical city on the Unesco list of world heritage cities." [8], [9] [10] In order to react against such pessimistic sloth, the KS started conducting an awareness creation campaign to sensitise the population and to advocate with the Public Authorities that they implement existing laws and constitute a Heritage Committee that proposes new laws and adequate management plans. [11] Vrinda Dar, the General Secretary of KS, had been personally leading the KS activities for heritage protection. She believes that the only way forward for sustainable development is to involve local communities, build their awareness about the cultural and economic value of local resources, build on local resources and hold governments accountable for their policies and actions. She maintains a blog [12] where she informs about the progress on heritage preservation in Varanasi. |
Rana | |
Masomi | Aikin na |
Marubucin | Vrinda |
Object location | 25° 19′ 05.95″ N, 83° 01′ 19.82″ E | View this and other nearby images on: OpenStreetMap | 25.318319; 83.022172 |
---|
Lasisi
- Za ka iya:
- a raba – dan kwafa, yadawa da aika aikin
- dan maimaita – dan daukar aikin
- A karkashin wannan sharuddan
- Jinginarwa – Dole ku bada jinjina da ta dace, samar da linki zuwa lasisin, da kuma bayyana ko kunyi sauyi. Zaku iya haka ta yadda ta dace, amma ba kowace hanya ba wanda zai nuna mai-lasisin yana goyon bayan ku ba ko goyon bayan amfanin da kuke yi ba.
- Yada ahaka – Idan kuka maimaita, sabuntawa, ko kari akan wannan, dole ku bayar da gudunmuwar ku karkashin iri daya ko lasisi data dace kamar na asali.
- ↑ Heritage Resources if Varanasi[1], Indian Heritage Cities Network, (Please provide a date or year), archived from the original on 2013-11-10.
- ↑ The Unity of the Aesthetic Experience of the Ghats[2], Banaras Biradari, (Please provide a date or year), archived from the original on 2013-11-05.
- ↑ Banaras, the City Revealed[3], Marg Publications on behalf of the National Centre for the Performing Arts, (Please provide a date or year).
- ↑ Proposing Varanasi for the World Heritage List of UNESCO[4], Varanasi Development Authority, (Please provide a date or year)
- ↑ Varanasi Dossier for the World Heritage List of UNESCO[5], Wikiversity, (Please provide a date or year)
- ↑ Singh, Rana P.B., Vrinda Dar and S. Pravin ((Please provide a date)) "Rationales for including Varanasi as heritage city in the UNESCO World Heritage List", National Geographic Journal of India (varanasi) 2001, 47:177-200.
- ↑ Varanasi Heritage Zone[6], Varanasi Development Authority, (Please provide a date or year).
- ↑ You can place Kashi on Unesco world heritage list'[7], The Times of India, (Please provide a date or year), archived from the original on 2013-11-10.
- ↑ Unplanned construction destroying riverfront majesty[8], The Times of India, (Please provide a date or year), archived from the original on 2013-11-05.
- ↑ थाती पर मंडराता खतरा[9], India Today, (Please provide a date or year).
- ↑ Ganga continues to be exploited[10], The Times of India, (Please provide a date or year), archived from the original on 2013-11-05.
- ↑ Banarasi Biradari (Varanasi community)[11], Kautilya Society for Intercultural Dialogue, (Please provide a date or year), archived from the original on 2013-09-06.
Abubuwan da aka nuna a cikin wannan fayil
depicts Turanci
Wasu muhimman ba tare da Wikidata kayayyaki ba
copyright status Turanci
copyrighted Turanci
7 Maris 2002
source of file Turanci
original creation by uploader Turanci
coordinates of depicted place Turanci
25°19'5.94782"N, 83°1'19.81920"E
exposure time Turanci
0.001 sakan
f-number Turanci
5.6
Tarihin fayil
Ku latsa rana/lokaci ku ga fayil yadda yake a wannan lokaci
Rana/Lokaci | Wadar sufa | Kusurwowi | Ma'aikaci | Bahasi | |
---|---|---|---|---|---|
na yanzu | 17:55, 10 Nuwamba, 2013 | 640 × 480 (85 KB) | Vrinda~commonswiki | User created page with UploadWizard |
Amfani da fayil
Wadannan shafi na amfani wannan fayil:
Amfanin fayil a ko'ina
Wadannan sauran wikis suna amfani da fayil din anan
- Amfani a kan bh.wikipedia.org
- Amfani a kan bn.wikipedia.org
- Amfani a kan en.wikipedia.org
- Amfani a kan en.wikiversity.org
- Amfani a kan es.wikipedia.org
- Amfani a kan hi.wikipedia.org
- Amfani a kan sl.wikipedia.org
- Amfani a kan sq.wikipedia.org
- Amfani a kan ta.wikipedia.org
- Amfani a kan te.wikipedia.org
bayannan meta
Wannan fayil ya ƙumshi ƙarin bayani daga kyamarar dijita ko sikanan da aka yi amfani da su.
Idan an sauya fayil kin, to wasu bayannan na ainahi ba za su fito ba sosai a cikin sabon fayil kin.
Camera manufacturer | SONY |
---|---|
Camera model | DCR-TRV420E |
Exposure time | 1/1,000 sec (0.001) |
F Number | f/5.6 |
Date and time of data generation | 03:32, 7 ga Maris, 2002 |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
File change date and time | 03:32, 7 ga Maris, 2002 |
Y and C positioning | Co-sited |
Exposure Program | Normal program |
Exif version | 2.1 |
Date and time of digitizing | 03:32, 7 ga Maris, 2002 |
Meaning of each component |
|
Image compression mode | 2 |
APEX exposure bias | 0 |
Maximum land aperture | 1.4 APEX (f/1.62) |
Flash | Flash did not fire |
Supported Flashpix version | 1 |
Color space | sRGB |