Amalia Kahana-Carmon

Amalia Kahana-Carmon (Hebrew: עמליה כהנא-כרמון‎) marubucin Isra'ila ne kuma mai sukar adabi.An ba ta lambar yabo ta Isra'ila don adabi a cikin shekarar 2000.

Tarihin Rayuwa

An haifi Amalia Kahana-Carmon a Kibbutz Ein Harod ranar 18 ga Oktoba,926.Ta ƙaura zuwa Tel Aviv tun tana ƙarama kuma ta yi karatu a Herzliya Hebrew Gymnasium, amma karatunta ya katse sakamakon yakin Falasdinu na 1948 inda ta yi aiki a Negev Brigade na Palmach a matsayin mai sarrafa sigina kuma ta rubuta shahararren telegram don kama Eilat. Bayan dawowarta daga aikin soja, Kahana-Carmon ta halarci Jami'ar Ibrananci da ke Urushalima kuma ta yi karatun kimiyyar laburare da ilimin falsafa. Ba da daɗewa ba bayan kammala karatun ta,ta ƙaura zuwa Switzerland (1951 zuwa 1955) sannan ta koma Ingila (1955 zuwa 1957) kafin ta koma Tel Aviv don yin aiki a matsayin ma’aikacin laburare da marubuci.

Iyali

Mahaifin Kahana-Carmon,Chaim Kahana (1890-1910),ya yi hijira zuwa Falasdinu a 1910.A Falasdinu,ya sami ilimin rabbai kuma duka sun ƙirƙira da gudanar da shawarwari don hanyoyin fasaha. Mahaifiyarta,Sara Crispin (1903-1985),an haife ta ne a Bulgaria kuma ta halarci Makarantar Malaman Ibraniyawa a Bulgaria kafin ta yi hijira zuwa Falasdinu a 1922 inda ta yi karatun kiwon kudan zuma a Makarantar Noma ta Mikveh Isra'ila.Crispin ta shafe sauran rayuwarta a matsayin mai kula da kudan zuma da malamin Hebrew.Kahana-Carmon tana da ƙanwar ɗaya mai suna Maryamu (b. 1929).Yayin da Kahana-Carmon ta kasance a Landan a cikin 1951,ta sadu kuma ta auri wata daliba Isra'ila mai suna Arie Carmon,wacce ta karanci injiniyan farar hula.Sun haifi ’ya’ya uku tare—Raya (b.1953),Iddo (b. 1956),da Haggai (b.1959)–kafin su rabu a shekara ta 1978.

Rayuwa a matsayin marubuci

Kahana-Carmon began writing in the 1950s but is not considered to be part of the Palmah Generation, a movement that dominated the literary scene in the 1940s and 1950s, nor the Generation of Statehood, a counter-movement to the Palmah Generation. Her writing differed from these groups in an important way: it centered around the individual rather than national ideals. This does not mean that Kahana-Carmon was not influenced by others; in fact, her writing was shaped by Nehamah Pukhachewsky (1869-1934), who wrote about the struggles of women pioneers in Palestine, and Devorah Baron (1886-1956), who wrote about the victimization of women in male-dominated religious Jewish institutions. Many also believe that Kahana-Carmon’s writing was influenced by Virginia Woolf because of their shared lyrical, poetic style, but Kahana-Carmon commented that this relation was due to similarity in thought rather than any influence.

Mutane da yawa sun yi ƙoƙari su fassara rubutun Kahana-Carmon,amma ta ƙi yunƙurin nasu,ta gaskanta cewa ba za a iya fassara aikinta ba.Har yanzu akwai ƴan fassarorin da suka wanzu,gami da Tare da Ita Akan Hanyar Gidanta,da aka fassara zuwa Italiyanci da Sinanci,da Bridal Veil,a cikin G.Abramson's (ed.) Littafin Oxford na Gajerun Labarai na Ibrananci (1996) da R.Domb's (ed.Sabon Rubutun Mata daga Isra'ila (1996).

Salon adabi da jigogi

Bugu da ƙari,halayen Kahana-Carmon sun kasance a waje a cikin al'ummominsu saboda jinsinsu,azuzuwan su,ko jinsinsu.Wasu daga cikinsu ma sun ketare iyakokin jinsi da jinsi,kamar a cikin Up in Montifer.A cikin wannan novella,Clara,jarumar, tana da baƙar fata,’yantacciyar bawa a matsayin abokinta.Ta kai 'yancin kai a matsayinta na 'yar kasuwa ta hanyar tattaunawa da wannan 'yantaccen bawa,inda duka haruffan jinsi da launin fata suke sane.

Kahana-Carmon kuma ta rubuta sukar mata game da adabi da al'adun Isra'ila.Waɗannan kasidu sun sami wahayi ne ta hanyar tafiya zuwa Amurka inda ta halarci taron duniya na marubuta kuma an gabatar da ita ga Frantz Fanon (1925-1961),wanda ya rubuta suka bayan mulkin mallaka game da dangantakar launin fata.Ta kuma sami wahayi ta hanyar sukar jinsi daga Simone de Beauvoir (1908-1986).